The Art of India

The 'Buddhist Art,' associated with monuments and paintings enlightening about the religion, Buddhism, came in to existence in around fifth century BC, under the mounting influence of Gautama Sakyamuni. The preachers of Buddhism claim Gautama Buddha as the greatest amongst the mythological pantheon, an aspect highly magnified in one of the key forms of the art of India, the 'Buddhist Art.' The initial 'Buddhist Art,' found at Bharhut, Sanchi, and Bodh-Gaya, and Amaravati, bore no anthropomorphic depiction of Gautama Buddha. The 'Buddha Image' was instead 'Symbolic' at that time. Some of the key representative symbols were empty thrones, a standing woman, a pair of footprints, the Bodhi tree, or the Dharma-chakra that depicted his life.

Buddhism attained huge popularity in the early first century BC. Since the asceticism of the religion was beyond the understanding of the followers, an iconic image of Buddha transpired in Northern India and portrayed Buddha in human form, which still exists. Gandhara (now in Pakistan) and Mathura (in Central Northern India) were the primary centers for the production of the 'Buddha Images.' The 'Gandharan' image displayed Buddha in standing or sitting position, with wavy hair and well-draped shoulders, closely resembling the Greek God, 'Apollo.' The 'Mathuran' school, on the other hand, contributed to the lotus seat (depicting the importance of mediation and His enlightenment), sporting a standing Buddha, holding one hand high and wearing a robe, baring His right shoulder.

The 'Buddhist Art' in India continued to expand. The pink sand stone sculptures made during the Gupta period at Mathura are an exemplary of finesse and competent artisanship, with few dating back to even 81 AD. Some gold and copper currency coins of 78 AD carry the 'Buddha Image' on one side and Kanishka's (the ruler then) on the other.

The historical 'Buddha Images' were depicted in five different positions, symbolizing the significant events of His life, such as birth, exit from home, enlightenment, first sermon, and death. The images are postured in four styles, standing, sitting, walking, and reclining with the position of hands conveying several connotations, such as:

Pacifying Relatives - Standing Buddha with right hand lifted to chest and the left one resting on the side

Calming the ocean - Standing Buddha with both hands raised up to chest

Subduing Mara - Crossed legged, seated Buddha, with his right hand on the right knee, pointing four fingers to the ground, while the left hand rests on His lap

Some fascinating details to be taken into account while creating the 'Buddha Image,' are the pre-defined measurements for physical proportion such as the exaggerated earlobes, and the "enlightenment-elevation" on the top of the head. Apart from the historical 'Buddha Images,' various other forms such as "Laughing Buddha" and "Medicine Buddha" are available in a variety of materials, such as sand stone, clay, gold etc. A renowned Buddhist follower once stated that "A Buddha image is not only a symbol of the historical person but the human qualities that he perfected; compassion, wisdom, patience, generosity, kindness, etc., worthy of bowing down to."

Annette Labedzki received her BFA at the Emily Carr College of Art and Design in Vancouver, B.C. Canada. She has more than 25 years experience. She is the founder and developer of an online art gallery featuring original art from all over the world.